You can modify each mask using any combination of the brush tool, or three different gradient tools (radial, planer, and half planer). You can make every edit within Exposure to as many layers as you want, and you can mask out the bits you don’t want. I can use layers to create a different version of a shot without having create multiple versions of it. One of the biggest strengths of Exposure that Lightroom does not offer is seamless and very fast layering capabilities.Įxposure provides non-destructive layer-based editing that makes this application especially powerful for me. The B&W selection is beautiful as well, there are a lot of simulations from the classic films, and for creative results the infrared section is crazy good. For portrait photography, I frequently use the Color, Vintage, and Polaroid presets. As Fujifilm users, you have a new folder in Exposure X3 with specific Fujifilm simulation profiles like the Classic Chrome, Astia, Provia and Velvia, as well as other B&W Fujifilm simulations. Exposure has an excellent list of presets that contains film emulations that span the entire history of film photography, as well as utility presets and modern looks that go beyond film. Have you ever used Exposure’s presets? You can fall in love with them very easily. My wish for future updates would be an additional slide to control the gradation of the effect around the selected luminance point. The split toning module in Exposure X3 gives you the opportunity to managing the lower threshold to maintain pure blacks. One of the main rules for a good color grading is that your blacks have to be black. Exposure X3 has a big advantage over Lightroom because it can filter the extreme blacks and whites. One of the most useful tools that I use in my post-processing workflow is the Split Toning effect. In Exposure, the foliage is pre-sharpened very well without any artifacts.
Here’s a straight out of camera image and then two examples cropped at 100%: one from Exposure and one from Lightroom. The fine details rendering is absolutely gorgeous and expresses every small nuance of the image.
In the capture sharpening, Exposure X3 excels. The processing of any digital image requires two essential and distinct types of sharpening: capture sharpening and output sharpening.
The difference is nuanced, but it’s there. I have to admit that it’s dramatically improved but not yet as good as what can be had with Exposure. Fujifilm RAF files in Lightroom have a very “painterly” look to some of the fine details in the trees, obscuring how the leaves actually should appear particularly in the Amount slider when you start to go over the default setting. It’s pretty easy to find complaints about a “wormy” look affecting some Fujifilm files in Lightroom, especially in foliage. Let’s take a look at what Exposure X3 offers photographers (especially Fujifilm photographers like us), both in terms of overall functionality and new updates.
#Exposure x vs lightromm software
I’ve watched Exposure grow over the years, and like how it’s now a complete, powerful, and versatile photo editor and organizer, with unique features that you can’t find in any other software on the market. In the last three years, I started to use Exposure in some of my landscape works too. I’m totally in love with it since its first release, when it was “simply” a film simulation plugin for Photoshop.Įver since I began my career in photography, I’ve processed every single portrait (commercial works, corporate portraits, and wedding events) through Exposure.
#Exposure x vs lightromm skin
One of my secret weapons in the RAW developing stage is the superb non-destructive photo editor and organizer Exposure X3 by Alien Skin Software. My go-to camera is the X-T2.Īn important aspect of my workflow is the RAW conversion of Fujifilm RAF files.
#Exposure x vs lightromm full
In 2017, I made the full switch from Canon to the Fujifilm X system, and have no regrets at all. I started my journey with Fujifilm cameras in 2013 when I bought my first X100S, an astonishing compact camera with fixed lens that I still use. Hello everyone, my name is Andrea Livieri and I’m a portrait and landscape photographer based in Venice, Italy.
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